The Moral of Pierre by one Timothy Burke

I’m not sure who Timothy Burke is or where exactly he’s coming from, but this is a superb piece on how neoliberal societies try to get people to change:

“If you want an explanation of the meanness of 21st Century American public discourse, for the fractures in the body politic, this will do as a starting place. “Get that guy to wear his helmet, because otherwise he’s going to cost you money.” “Get that woman to lose weight, because otherwise she’s going to cost you money.” “Hassle that couple because their kid plays too many video games and might slightly underperform in school and not make the contribution to net productivity that we are expecting of him.”

Questions concerning how people treat one another, I believe, are ultimately theological. Whatever we think people are will determine what we think the problems are and why we must solve them. If we think of people primarily as gobs of material or units of economic activity, then we’ll get diagnoses like the above-quoted. 

But what would happen if we acknowledged man as the image of God, as capable having his humanity completed and fulfilled in Christ, brought into the fellowship of the Trinity, and finally able to live at peace with himself and his neighbor? 

The Lord’s Prayer from Rachmaninov’s world-stopping Liturgy of St. John Chrysostom, performed by the Cambridge King’s College Choir.

The Dying of thirst passage of this song is astonishing. Even more astounding is how important the skit at the end is to the song—and to the entire record. How is it that a blockbuster rap record climaxes with a baptism scene and the words, “Remember this day, the start of your new life, your real life…”?

good kid, m.A.A.d city might be my favorite record of the year. 

I loved Freaks and Geeks when it first aired. This pitch-perfect scene makes me want to revisit it. Bill alone making himself a grilled cheese. The mirroring shots between him and Garry Shandling (drinking, teeth, Bill pointing at himself). The laughing with food in his mouth. Comedy with this kind of pathos is, I think, one of the highest art forms.