writing

From Jason Diamond in The Paris Review:

“Marquee Moon,” the fourth song, and last track on the first side, is all the proof you need to make a lot of overblown claims for the album’s legacy. Verlaine and Lloyd are unrelenting as they duel, leading up to a bridge whose huge solo is made even larger by the tiny twinkling of a piano key. And again, we have Verlaine spinning a decadent Lower East Side fairytale, filtered through the mind of somebody influenced by too much French poetry. This all goes on for a few minutes, and then there’s this gap where the band really does get into Grateful Dead territory, just messing around with their instruments, keeping the beat going, finally building it to a crescendo that leads them back to where they started, reciting the poetry I would rip off nearly twenty years later…

The Moral of Pierre by one Timothy Burke

I’m not sure who Timothy Burke is or where exactly he’s coming from, but this is a superb piece on how neoliberal societies try to get people to change:

“If you want an explanation of the meanness of 21st Century American public discourse, for the fractures in the body politic, this will do as a starting place. “Get that guy to wear his helmet, because otherwise he’s going to cost you money.” “Get that woman to lose weight, because otherwise she’s going to cost you money.” “Hassle that couple because their kid plays too many video games and might slightly underperform in school and not make the contribution to net productivity that we are expecting of him.”

Questions concerning how people treat one another, I believe, are ultimately theological. Whatever we think people are will determine what we think the problems are and why we must solve them. If we think of people primarily as gobs of material or units of economic activity, then we’ll get diagnoses like the above-quoted. 

But what would happen if we acknowledged man as the image of God, as capable having his humanity completed and fulfilled in Christ, brought into the fellowship of the Trinity, and finally able to live at peace with himself and his neighbor? 

Interviews with writers I love in The Paris Review

Not necessarily in any order of preference:

Walker Percy

Marilynne Robinson

Tobias Wolff

Tom Wolfe (Somehow I can still say this even after reading that 700-page bowel movement called A Man in Full)

Honorable mention (because he was interviewed by Ron Hansen, not because I’ve knowingly read a word he’s written): John Irving

And a couple with the next two writers I plan to dive into: Barry Hannah and Raymond Carver.